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Session B2

Tracks
Track B: Innovation, sustainable conservation and the next generation.
Wednesday, August 27, 2025
2:15 PM - 3:35 PM

Overview

Individual Papers

Chair: TBC

Preserving the Panels: Conservation bindings for collections of British comics
Ms Amy Randall, Student, West Dean College

Lighting the Shadows – The conservation of tangible and intangible values in a collection of 20th century shadow puppets.
Mr Christopher Duffy, Student Conservator, West Dean Collge

The Use of Low-Thermal, Low-Pressure Plasma Treatment on Active Fungal Spores in Books: Results and What They Mean
Jamie Chmara, Student, West Dean College




Speaker

Agenda Item Image
Ms Amy Randall
Student
West Dean College

Preserving the Panels: Conservation bindings for collections of British comics

2:15 PM - 2:30 PM

Abstract

The UK has a rich history with comics, having been a popular form of media in Britain since the late 19th century. These publications are typically considered a form of ephemera. To meet demand, the paper was made with low quality mechanical wood pulp, leaving them prone to acidification. Furthermore, some publishers had the practice of binding collections together into larger volumes, grouping them into more complex structures, and thereby making them susceptible to other forms of deterioration.
This ongoing dissertation research aims to respond to the conservation challenges these bound volumes pose, by further examining the kinds of binding styles used and evaluating how these can impact the deterioration of their text blocks. Furthermore, it will explore and experiment with alternative way that groups of comics can be bound together, informed by conservation principles, to make recommendation on how this practice can develop to better support the longevity of comic book collections.
This presentation will highlight the findings from my ongoing research. Firstly, it will outline the outcomes of a survey carried out on a bound collection of 2000 AD comics, held at the Rebellion Group Archives. Subsequently, it will cover how these findings have influenced the progress of the experimental research into developing conservation-friendly adaptations/alternative binding structures. Lastly, the presentation will end with an overview of my initial conclusions.
This presentation is intended to be part of a series of presentations of West Dean College students discussing the progress of their dissertation research.

Biography

Amy Randall has been practising conservation since 2015. With a background in objects conservation, her current practice specialises in library and archival material. She is currently studying for a master’s degree in Conservation Studies at West Dean College, specialising in Books and Library Materials, and due to graduate in September 2025. One of her ongoing conservation projects is Kreutterbuch, a German herbal in its contemporary late gothic binding, c.1565, containing many hand-coloured prints of medicinal plants. The treatment of which will include text block repairs, the stabilisation of the sewing structure and binding repairs. After completing her studies at West Dean, she will work towards professional accreditation. Prior to studying at West Dean, Amy graduated from the University of Lincoln’s BA (hons) Conservation and Restoration programme in 2018. During her studies, she worked upon a wide variety of heritage objects, from decorative arts to archaeological finds. Since graduating from Lincoln, Amy has freelanced and volunteered at various institutions. Her longest role was six years as a library conservation volunteer at Lincoln Cathedral. Most recently, she has worked as a freelance archive conservator with the National Conservation Service. In February 2025, she is due to start a six-week placement with the Bodleian libraries, as part of her MA coursework. It is hoped that access to the Bodleian’s John Johnson Collection of ephemera may help inform the direction of her dissertation research (see abstract section).
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Mr Christopher Duffy
Student Conservator
West Dean College

Lighting the Shadows – The conservation of tangible and intangible values in a collection of 20th century shadow puppets.

2:30 PM - 2:45 PM

Abstract

This paper will outline research currently being undertaken into a collection of puppets and related material created by the artist and writer Norman Ault, currently in the care of his decedents. The research investigates the tangible elements of the collection and considers whether a campaign of conservation can restore meanings and values, in order to describe, define and realise the intangible characteristics of the collection that are currently believed to be dormant. It considers replication and the recreation of “lost” elements as a possible conservation action, undertaken to realise a new use value, so the central question of the research can be investigated, namely where concepts of value, significance and authenticity exist in such collections, and whether these concepts, once identified, can be highlighted and preserved for the future.

Using examples of Ault’s work as well as replicas and simulacra used in the experimental phase, this proposed short presentation will illuminate Ault’s work and will question what happens to the intangible values of such creations when their material remains enter a museum or conservation setting.

Biography

Chris Duffy is a student conservator currently studying on the MA programme at West Dean College (on the Books and Library Materials pathway). Chris came to West Dean after a long career in theatre and entertainment. A child performer, Chris continued to work as an actor and puppeteer for many years before moving into arts management, and he spent 15 years creating and managing a group of performing arts spaces in Scotland before coming to West Dean. He graduated from the Graduate Diploma programme in 2024. His current research is focused on a collection of early 20th century shadow puppets, created by the artist Norman Ault. A collector of cookbooks, ephemera, artworks and objects all relating to food, Chris shares his collection through The Auchtermuchty Food Museum and organises touring exhibitions and events in his spare time. A Londoner by birth, Chris now lives in Fife, Scotland.
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Miss Jamie Chmara
Student
West Dean College

The Use of Low-Thermal, Low-Pressure Plasma Treatment on Active Fungal Spores in Books: Results and What They Mean

2:45 PM - 3:00 PM

Abstract

Plasma technology is a developing field that uses ionized gases for cleaning and decontamination, ablation of the surface, application of thin films on the surface, and more. Studies using plasma technology have demonstrated that on flat paper and cellulose materials, low thermal plasma treatments performed under 20° C can deter fungal growth in only 15 minutes, with miniscule surface ablation to the material at the time of treatment. Other studies show that low pressure plasma systems are well used for antifungal properties on a variety of large objects and materials.

Wherein lies the gap in the research is if the treatment is plausible for an openable object, such as a book, for antifungal treatment. Because of mold’s ability to travel and spread into the book, treatment using plasma technology must be able to interact with all of the infected pages of the book and into the deepest parts of the book, such as the gutter. This research will look at the viability of the use of the low-thermal, low-pressure plasma technology on fungi infested books and the outcome of the fungus. The terminology varies in each article to describe the action of plasma on fungi, including inactivate and devitalize. Given the difference in post-treatment handling with inactivated and dead mold, this research will also look at how the treatment affects mold.

Biography

Jamie Chmara is a postgraduate master’s student at West Dean College, with a focus in the conservation of books and library materials. She has had a lifelong passion for reading and all things books, leading to pursuing higher education in the archival and conservation sectors. Her background includes a master’s in library and information science, focusing on cataloging and metadata, working at locations such as the Wayne State University Law Library in Detroit, Michigan, USA; the Detroit Institute of Arts (DIA) in the Archives and Research Library; and the Detroit Historical Society Archives. Jamie has also worked on large-scale digitization for the Law Library, partnering with Google Books and Law Library Microform Consortium (LLMC) to create searchable metadata for the entire series of records and briefs for the State of Michigan Supreme Court. Her work at the DIA led to an interest in conservation, with work on conservation surveys and minor repairs. Since then, Jamie has worked for two summers at The Henry Ford Museum in Dearborn, Michigan, in the paper conservation laboratory. Her work at the historical museum has included the conservation of artefact books housed in the outdoor campus of the museum, books housed in the museum’s research library, works of art on paper, paper objects, and textiles. Her research interests include the use of plasma technology, bacteria, and enzymes in heritage conservation, and the use of modern, synthetic materials in bookbinding and what it means for conservation.
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