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Session B6

Tracks
Track B: Innovation, sustainable conservation and the next generation.
Thursday, August 28, 2025
2:55 PM - 3:55 PM

Overview

Individual Papers

Chair:

My Experiences as a student on the ARA Archive Conservation Training Scheme
Laura Anderson, Trainee Archive Conservator, Jersey Archive

Working Wonders - The Conservation of Severely Mould-Damaged Stationery Bindings for the Latymer Upper School Archive.
Ann-Marie Miller, Director and Chloe Tse, Assistant Conservator, Codex Conservation Ltd.

Off the Wall
Shirley Jones, West Yorkshire Archive Service



Speaker

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Miss Laura Anderson
Trainee Archive Conservator
Jersey Heritage Trust

My Experiences as a student on the ARA Archive Conservation Training Scheme

2:55 PM - 3:15 PM

Abstract

ARAs Archive Conservation Training Scheme consists of work placements in various archives across the country, and students receive one-to-one tuition from their instructors. Students get to learn both in depth theory and develop their practical bench skills, as well as gain an insight into how other institutions function and meet many new people in the archive sector.
The scheme is a fantastic way to train the 'Next Generation' of conservators by passing on knowledge, building connections, and developing 'Innovation and Imagination in Record Keeping'.

Biography

I have worked in the conservation department at Jersey Archive since late 2020. As part of my professional development I am working towards qualifying as an Archive Conservator on ARA's ACTS. At the time of this year's conference I will have completed all of my placements and will be working on my examination portfolio.
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Ms Ann-Marie Miller
Director
Codex Conservation Ltd.

Working Wonders - The Conservation of Severely Mould-Damaged Stationery Bindings for the Latymer Upper School Archive.

3:15 PM - 3:35 PM

Abstract

The Latymer Upper School Conservation Project was organised by Codex Conservation Ltd, and is an example of how to make paid internships enable prohibitively expensive projects. We will describe how the project was set up, then we will outline the conservation of one the bindings and the approach taken.
This school archive contains nearly 2 dozen manuscripts, charting the school's history. The bindings conserved are unique manuscripts with exceptional eighteenth-century bindings. Their conservation was an essential part of their 400th celebrations. Unfortunately, a significant proportion of the books had been so damaged by mould that they required a huge amount of time to enable handling and digitisation. A plan was developed to enable the preservation of all of the volumes, and the remedial treatment of the worst affected over several years, including flexible, funded internships for emerging conservators. The interns have documented and manageed the project, as well as performing the conservation treatments and presenting their work to the school community.
In the second part of the presentation, we will describe the approach taken to deal with complex mould damaged material. Every page was treated to arrest the mould infestation, and required repair before reuse. All elements of the bindings were reused after careful treatment and reconstruction. This included resizing, paper repair, pressing, and reconstructing the sewing to enable the reuse of the repaired binding.

Biography

Ann-Marie Miller is an accredited book and archives conservator based in London, and has run a private workshop, Codex Conservation, for the last 13 years. Her passion for heritage began after studying the History of Art at the Courtauld Institute of Art. After studying Chemistry and Bookbinding she attained a post-graduate diploma and MA in conservation at Camberwell College of Arts, University of the Arts, London. After graduating she worked freelance as a bookbinder and conservator in both the public and private sectors. Whilst working for 7 years at the British Library, she achieved accredited status in 2007. With her small team at Codex Conservation, she works for a broad range of institutional clients and private collectors from national museums and academic libraries to corporate archives. She also provides teaching, supports digitisation programmes and provides collection care advice. She is a a livery man in the Stationers and Newspapers Makers assessor and mentor for the Icon Accreditation Scheme.
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Miss Chloe Tse
Assistant Conservator
Codex Conservation

Working Wonders - The Conservation of Severely Mould-Damaged Stationery Bindings for the Latymer Upper School Archive

3:15 PM - 3:35 PM

Biography

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Mrs Shirley Jones
Head Of Conservation
West Yorkshire Archive Service

Off the Wall

3:35 PM - 3:55 PM

Abstract

The conservation team at West Yorkshire Archive Service was approached by a decorating partnership specialising in the installation, restoration and reproduction of historic moulded wallpapers, for training in paper conservation techniques to support their practice.

Following a collaborative process, a short series of successful workshops was designed to fulfil both the requirements of the learners and respect the professional boundaries of the trainers.

This presentation will reflect on the challenges and benefits of sharing skills across specialisms and beyond conservation into the realms of restoration. And in an information age, to what extent and how, should we as conservation professionals be gatekeepers of our knowledge and skills?

Biography

Shirley Jones is Head of Conservation at West Yorkshire Archive Service (WYAS). After studying History of Art, she qualified as a paper conservator at the University of Northumbria. Shirley then specialised in archives conservation at WYAS through the ARA's Conservation Training Scheme. Professionally accredited with the Institute for Conservation (ACR) since 2008, Shirley is also a tutor for the Conservation Training Scheme at WYAS's conservation studio in Wakefield.
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